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No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. Cover design: Adriana Brioso Cover image © Max Stille All rights reserved. ix–x constitute an extension of this copyright page. For legal purposes the Acknowledgements on pp. TAURIS and the Diana logo are trademarks of Bloomsbury Publishing Plc First published in Great Britain 2020 Copyright © Max Stille 2020 Max Stille has asserted his right under the Copyright, Designs and Patents Act, 1988, to be identified as Author of this work. TAURIS Bloomsbury Publishing Plc 50 Bedford Square, London, WC1B 3DP, UK 1385 Broadway, New York, NY 10018, USA BLOOMSBURY, I.B. Islamic Sermons and Public Piety in Bangladesh The Poetics of Popular Preaching Max Stille Sexual and Gender Diversity in the Muslim World: History, Law and Vernacular Knowledge, Vanja Hamzic The Architecture of a Deccan Sultanate: Courtly Practice and Royal Authority in Late Medieval India, Pushkar Sohoni Sufi Shrines and the Pakistani State: The End of Religious Pluralism, Umber Bin Ibad The Hindu Sufis of South Asia: Partition, Shrine Culture and the Sindhis in India, Michel Boivin Islamic Sermons and Public Piety in Bangladesh: The Poetics of Popular Preaching, Max Stille Dale, Ohio State University Rukhsana David, Kinnaird College for Women Michael Fisher, Oberlin College Marcus Fraser, Fitzwilliam Museum Ebba Koch, University of Vienna David Lewis, London School of Economics Francis Robinson, Royal Holloway, University of London Ron Sela, Indiana University Bloomington Willem van Schendel, University of Amsterdam Titles
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Islamic South Asia Series Series Editor Ruby Lal, Emory UniversityĪdvisory Board Iftikhar Dadi, Cornell University Stephen F. Islamic Sermons and Public Piety in Bangladesh Outlook: From comprehensive to comparative genre analysis Music–rhetorical encoding of emotions and political attitudesĬhapter 5: Humour: From ridiculing the Other to parody of waz mahfils Songs and disentangling critique of melodies in sermonsĬulture as nature: Prose chanting and self-affection Learning the melodic texture of prose chantingĬhanting and the sensory guidance of dramatic narrationĬhanting and the performative interpretation of canonical texts Melodies in Islamic sermons, the Quran and poems Linking emotionalizing narratives to the collective climax of final prayersĬhapter 4: Melodic narration: Performative exegesis, joint self-affection
Translation, argumentation and connoisseurshipĬhapter 3: Heroes of courage and compassion: Public piety between mobilization and melodramaīodily disintegration for the flag of Islam Religious nationalism and the politics of religious language
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Mediatization, female audiences and repeating the newĬhapter 2: Aesthetics of religious language: Code switching and connoisseurship of the poeticįraming religious and social speech acts in introductions of sermonsĮxpanding and naturalizing ritual competency Religious emotions and political participation Popular preachers between roles and regionsĪrriving at the mahfil and framing the sermon Islamic sermons in Bangladesh: From Arabic Friday ritual to popular Bengali forms Popular culture, public Islam and global preachingĬhapter 1: Waz mahfils: Genre, actors and space The political between language and emotion Sermon gatherings in their political context Towards a multilevel analysis of sermons as a narrative and performative genre
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